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Category Archives: Meet Modern Rock

10 My Chemical Romance Songs You Must Hear !


My Chemical Romance one of the biggest rock sensations of the last decade built an impressive repertoire before their final break up in march 2013. But with over a decades worth of material where do you begin? Here’s a list to help get you started.


10 – ‘Vampire Money’

‘Vampire Money’ was released in 2010, but you wouldn’t know it. The song sounds like an out of control collaboration between the Sex Pistols and Jerry Lee Lewis. The 50s style single chord piano thumping and sarcastic as hell ‘voice over’ type intro is bound to make you giggle. However what takes the biscuit with this song has to be the lyrics. “Gimme, gimme some of that vampire money c’mon!” a not so subtle dig at the Twilight movie soundtrack gold rush that they managed to resist.

9 – ‘Honey, This Mirror Isn’t Big Enough for the Two of Us’

‘Honey This Mirror Isn’t Big Enough for the Two of Us’ was one of the early signs that this band had something special. The catchy almost spooky intro riff leads the charge in this song about substance abuse. Gerard Way composed this after coming out the other end of his struggle with drugs. The lyrics “And you can cry all you want to, I don’t care… ” still sounds icy cold.

8 – ‘Sing’

By the time My Chemical Romance were writing tracks for their final album ‘Danger Days’, they had the rock anthem factor perfected. Nowhere is this more obvious than on ‘Sing,’ a simple choice for this list. A big song with high production value that gets to the point. Not to mention stays in your head for days.

7 – ‘Teenagers’

‘Teenagers’ was the last thing you would expect from MCR. An upbeat alternative rock tune with a 12 bar blues feel doesn’t appear very often, let alone go platinum. But the catchy sing along feel is in stark contrast to some subversive and controversial lyrics. The lyrics touch on gun crime “what you’ve got under your shirt. Will make them pay for the things they’ve done” and authoritarianism “They’re gonna clean up your looks, With all the lies in the books… So they can watch all the things you do” etc. Not the norm for a top 30 hit but then, that’s My Chemical Romance!

6 – ‘The Ghost of You’

My Chemical Romance took a more laid back approach in ‘The Ghost of You,’ but that doesn’t make the song any less effective. This sad number explores the pain of the loss of a loved one. While it’s one of the more moody tracks on their ‘Three Cheers for Lovely Revenge’ record, it perfectly demonstrates the bands knack for combining mournful melodies with an angst driven delivery.

5 – ‘Na Na Na’

If you need a pick-me-up, My Chemical Romance’s ‘Na Na Na’ is the one to do it for you. This great power cut was the tune that broke the group out of writers block during their fourth album. Just one listen and it will be clear why!

4 – ‘Helena’

‘Helena’ which starts with a hushed almost Cure like feel, suddenly explodes to break neck speed in this emotional rocker inspired by the loss of Gerard Ways late grandmother. This is the tune that saw the band move a little closer to the big leagues.

3 – ‘Famous Last Words’

‘Famous Last Words’ begins with the tension of a ticking bomb. Building up to a face melting guitar riff before finally kicking into a driving chorus. The refrain “I am not afraid to keep on living” is enough to inspire the most broken of souls.

2 – ‘I’m not Okay (I Promise)

‘I’m Not Okay (I Promise)’ is the song that brought My Chemical Romance to a bigger audience and continues to be one of their most well-known tunes. The video for the song was also a parody on the teen movie sensation. Definitely worth a peak.

1 – ‘Welcome to the Black Parade’

The impressive ‘Welcome to the Black Parade’ is certainly worthy of the top position in this list. Starting off with a poignant piano melody it grows to euphoric levels, comparable to the rock opera style of Queen. The song goes from the idea of being confronted with death (the black parade) to a message of hope “We’ll carry on”. Pretty heavy themes for rock music but then again My Chemical Romance were no ordinary band.

For those of you who have never really taken the time to explore this band I hope this list provides you with a great starting point. But remember this list only scratches the surface and with four studio albums there are plenty more where they came from.

The Seven Different Types of Written Music

As a bassist, bandleader, instructor, and music copyist, I’ve worked with many artists consistently. In spite of the fact that working performers know many tunes, vocalists need great graphs keeping in mind the end goal to have their music played the way they need. I characterize a “decent outline” as a bit of composed music that adequately tells the artists what they ought to play.

Composed music comes in seven essential structures: harmony outlines, , songbooks, lead sheets, fake books, expert beat diagrams and completely documented parts.

As a performer has an obligation to play the outline before him effectively, the supplier of the diagram has the obligation of giving the right sort of graph. Comprehending what sort of outline to use for what sort of tune or gig is imperative.

This  clarifies what the distinctive sorts of diagrams are, and under what circumstances to utilize them. I trust you think that its helpful.


Graphs can be basic or elaborate as per the style of music and kind of gig. Spread tunes are generally gained from recordings; established and choral music can be found in stores and also in different music lists; various tunes will be found in music books of assorted types; and numerous open libraries convey recordings and composed music for your utilization.

“Chart” alludes to any bit of composed music or any game plan (music that has been adjusted in a one of a kind way) of a tune. Decades prior it was entirely a “cool” slang term for a tune, yet any bit of music could be known as an outline nowadays, however a traditional buff won’t not allude to a Mozart function as a “graph.”

Recognizing what sort of graph to use for what sort of tune is essential. When you’re playing a gig and somebody gives you a diagram – it is the thing that it is and you either perused it well or not. In any case, on the off chance that you purchase outlines, have them made for you or give them yourself, you have to know which sorts to use for which circumstances. A long time back, while doing vocalist showcases, artists acquired a wide range of graphs: great ones, awful ones, mistaken ones, wrong ones, and it was a genuine torment. The artists who gave the right sorts of graphs got their music played how they would have preferred. The vocalists who had the wrong sorts of outlines didn’t, and weren’t extremely glad about it. Unless an artist definitely knows the particular parts, he can just play as indicated by what’s on the graph before him. In spite of the fact that a decent artist can extemporize a decent part in any style, if a particular musical line should be played, it should be composed out.

As an artist has an obligation to accurately play the diagram before him, the supplier of the outline has the obligation of giving a fitting one.

Without getting into an excessive number of music documentation specifics, here are the various types of graphs and when they are utilized:

1. Harmony CHARTS

A contains the harmonies, meter (how the tune is included, e.g., 4 or in 3 (like a waltz), and the type of the melody (the definite request of the areas). This kind of graph is principally utilized when: 1. the particular musical parts are ad libbed or definitely known, however the structure and harmonies should be alluded to, 2. to give harmonies to ad lib over, or 3. at the point when a very late outline should be composed, and there isn’t the ideal opportunity for much else elaborate.

A does not contain the tune or a particular instrumental parts to be played. To play from basic harmony graphs a performer essentially needs consistent time, know the harmonies, and extemporize his part in whatever style the tune is in.


is a locally acquired adaptation of a tune printed by a distributer, which contains the instrumental part, harmonies, verses, tune and shape. An instrumental piece will, obviously, have quite recently the music. is composed for both piano and guitar. Guitar is in standard documentation (regularly traditional), and in addition in TAB. A decent bit of will dependably say whether it’s for piano or guitar. Most is not intended to be totally illustrative of the real recording, and the real plan that you’ve heard on a recording is sometimes present.

Numerous individuals have encountered the disappointment of getting the to a melody they like, playing it, and finding that the harmonies are not quite the same as the recording, and now and then the structure is as well. Sadly that is how it is a considerable measure, and it could be for various distinctive reasons. To get the accurate game plan and harmonies, you have to do a “takedown” of the tune: learn it by ear. A takedown is the point at which you listen to a bit of music and record it. Takedowns can extend from straightforward harmony outlines to expand symphonic parts or anything in the middle. So as to do great takedowns, you need great ears, comprehend and be liquid with music documentation to the multifaceted nature of the sort of music you’re working with, and ideally comprehend music (the more the better). Having “great ears” comprises of perceiving and comprehension the music, whether heard on the radio, played by another artist, or heard in your mind.


Songbooks are accumulations of numerous tunes and frequently contain the same data that does, alongside the harmonies and game plan being unique in relation to the recording more often than not. ordinarily has full presentations and endings, while tunes are by and large abbreviated to make space in the book for more tunes. is for the most part composed to be played on a console, however songbooks come in various styles and for various instruments. They are ordered by craftsman, style, decade, and in different accumulations including motion picture subjects, Broadway hits, and so forth.

A Biography on Linkin Park

Recognized as a leader in the world of nu metal, alternative, and rap metal or rapcore, Linkin Park manages to artfully combine multiple genres of music while still maintaining their own distinctive sound. This is largely due to the band’s unique and winning combination of two vocalists with Mike Shinoda rapping and emceeing, and Chester Bennington on lead vocals.


An introduction is necessary for all six members of this alternative metal band.

– Chester Bennington, lead vocals
– Mike Shinoda, emcee, vocals, keyboard, rhythm guitar
– Rob Bourdon, drums
– Brad Delson, lead guitar
– Dave Phoenix Farrell, bass guitar, backing vocals
– Joe Hahn, turntables, programming

Linkin Park was formed by three friends from high school in the southern California town of Agoura Hills, California. After graduation, budding musicians Mike Shinoda, Brad Delson, and Rob Bourdon recruited Joe Hahn, Dave Farrell and Mark Wakefield to form Xero in 1996, which failed to impress the record execs or land them a recording deal.

Soon Chester Bennington joined the ranks replacing Wakefield and the band changed their name to Hybrid Theory before finally settling on Linkin Park.

Their debut album, the familiarly named Hybrid Theory, was released by Warner Bros. Records in October of 2000 and was soon a commercial success, despite mixed reviews from critics. Four singles were released, including In the End, Crawling, One Step Closer, and Papercut.

Nominated for Best Rock Album at the 2002 Grammys, Hybrid Theory sold over 24 million copies and was recently certified diamond by the RIAA (Recording Industry Association of America).

Named after a group of monasteries built high atop a formation of rocky pinnacles above the plains of Greece, Meteora, Linkin Park’s sophomore album, was released in March of 2003. The album spawned the widely popular single Somewhere I Belong, which quickly reached number one on the mainstream rock charts. Lying from You, Faint, Breaking the Habit, and Numb were four more singles released from Meteora, with each one reaching either the first or second spot, also on the mainstream music charts.

After the continued success of Meteora, Linkin Park took a break from recording full studio albums and instead focused on touring, doing side projects with other artists such as Jay Z and Depeche Mode, and participating in several charity events.

Besides raising money for victims of Hurricanes Charley and Katrina in 2004 and 2005, the band also took part in relief concerts to benefit those affected by the 2004 tsunami that killed over 200,000 people in 11 different countries. Their charitable work continued on when they joined more than 1,000 musicians for the Live 8 concert to raise funds for global awareness.

Released in May of 2007, Minutes to Midnight, the band’s third studio album, debuted at number one in the United States, Canada, the UK, along with 11 other countries around the world. After selling over five million copies thanks to their lead single What I’ve Done, the album was certified double platinum and ended up at number 25 on Rolling Stone’s Top 50 Albums of 2007. Dubbed as their softest and most melodic effort, Minutes to Midnight also yielded two more singles, Bleed It Out and Shadow of the Day, that have been regular fixtures on the charts throughout the year.